THE WAN PROJECT™ IS A CREATIVE STUDIO I FOUNDED IN 2023. THIS PROJECT WAS CREATED WITH THE PURPOSE OF UNITING ASIAN AMERICANS AROUND THE US—A CHANCE FOR ASIAN AMERICAN SUBCULTURE TO BE HONORED THROUGH FILM, DESIGN, PHOTOGRAPHY, AND CLOTHING.
I created this project as a creative studio initiative to explore and document the intersection of American society and Asian heritage—a moment where cultural boundaries blur and long-standing traditions begin to converge. Out of this confluence emerges what we understand as Asian American subculture: a distinct identity shaped by the expectations of American life and the inherited values of Asian upbringing. Through videography, apparel design, and curated lookbooks, the studio captures this fleeting, hybrid experience, freezing fugitive moments of a childhood shaped within a cultural chasm, a confluence of memory, aesthetics, culture, and identity.
01. Brand Reasoning
We use film as a way to capture a culture that is always in motion. Asian American subculture lives in spaces where traditions and identities constantly overlap and blur. Our goal is to show it as we’ve experienced it—through distinct, symbolic details that register a certain cadence. The unique timber in the clink of chopsticks against porcelain. The ritualistic gatherings at a round-table Chinese restaurant. These are the small, fugitive details that hold a world of textures, triggers, and sensations.
Our film, like memory, rarely unfolds in a straight line. Memory works in impressions—layered on each other, then interrupted, ultimately reassembling into something that feels emotionally true rather than orderly. In our work, shots collide and dissolve into one another, symbolic of two cultures bleeding into one another. Similar to our fascination with memory, we are less interested in creating a film that acts as a record than in carrying the viewer through a more sensory experience. To us, preservation is an act of translation, not just a retelling.
02. Visual Language
After reading This is Marketing by Seth Godin, often regarded as one of the most influential marketers of our generation, I began viewing marketing as a way of connecting people through shared values rather than a simple act of persuasion. Godin’s philosophy reframes marketing as the generous act of serving a specific group of people, and not a way to shout at the masses. Marketing is a process built on empathy, trust, and a consistent delivery of value. He emphasizes that marketing works best when it speaks directly to “people like us,” offering products, stories, and experiences that not only affirms their identity and worldview, but also aids in the creation of a community they can feel a part of. At its core, the Wan Project is a creative studio that seeks to form community based on its visual, literary, and symbolic representation of Asian American subculture. In this way, our work already aligned with Godin’s principles: earning permission before making an ask, creating relevance through cultural resonance, and designing every touchpoint to feel personal.
I began by identifying what Godin calls the “smallest viable audience”—a specific and clearly defined group of people most likely to connect with our work, value what we offer, and form the foundation for a lasting community. For us, this meant focusing on first- and second-generation Asian Americans who would recognize and appreciate the cultural cues embedded in our films, photography, and designs. From there, I shaped our creative decisions with the intent of serving this audience first: choosing imagery that reflects their lived experiences, using color palettes inspired by cultural motifs, and designing clothing they could wear to project their cultural pride. By anchoring our work in their worldview and needs, we cultivated a sense of relevance and trust, ultimately earning us permission to offer our products as a natural extension of their identity.
03. Marketing Strategy