THE WAN PROJECT™ IS A CREATIVE STUDIO I FOUNDED IN 2023. THIS PROJECT WAS CREATED WITH THE PURPOSE OF UNITING ASIAN AMERICANS AROUND THE US—A CHANCE FOR ASIAN AMERICAN SUBCULTURE TO BE HONORED THROUGH FILM, DESIGN, PHOTOGRAPHY, AND CLOTHING.
I created this creative studio to explore and document the intersection of American society and Asian heritage—a space where cultural boundaries blur and traditions begin to converge. From this confluence emerges what I describe as Asian American subculture: a distinct identity shaped by the expectations of American life and the inherited values of an Asian upbringing. Through film, design, and clothing, this studio captures this fleeting hybrid experience—preserving fugitive moments of a childhood shaped by a cultural chasm.
01. Brand Reasoning
We use film as a way to capture a culture that is always in motion. Asian American subculture lives in spaces where traditions and identities constantly overlap and blur. Our goal is to show it as we’ve experienced it—through distinct, symbolic details that register a certain cadence. The unique timber in the clink of chopsticks against porcelain. The ritualistic gatherings at a round-table Chinese restaurant. These are the small, fugitive details that hold a world of textures, triggers, and sensations.
Our film, like memory, rarely unfolds in a straight line. Memory works in impressions—layered on each other, then interrupted, ultimately reassembling into something that feels emotionally true rather than orderly. In our work, shots collide and dissolve into one another, symbolic of two cultures bleeding into one another. Similar to our fascination with memory, we are less interested in creating a film that acts as a record than in carrying the viewer through a more sensory experience. To us, preservation is an act of translation, not just a retelling.
02. Visual Language
After reading Seth Godin’s This is Marketing and Purple Cow, I began viewing marketing as a process of earning trust, differentiation, and attention through authenticity and generosity. Marketing, at its core, is an artform that plays upon identity and shared worldviews—a way of understanding and shaping how people see themselves and where they belong. Godin emphasizes that marketing works best when it speaks directly to a subset of psychographics, appealing to shared values and experiences that both affirm one’s sense of identity and reinforce the collective worldview that binds a community together.
Simply put, the Wan Project is a creative studio that seeks to form a sense of community based on its visual, literary, and symbolic representation of Asian American subculture. I began our marketing and branding process by identifying what Godin calls the “smallest viable audience”—a specific and clearly defined group of people most likely to connect with our work, value what we offer, and form the foundation for a lasting community. For us, this meant focusing on first- and second-generation Asian Americans who would recognize and appreciate the cultural cues embedded in our films, photography, and designs. From there, I shaped our creative decisions with the intent of serving this audience first: choosing imagery that reflects their lived experiences, using color palettes inspired by cultural motifs, and designing clothing they could wear to project their cultural pride. By anchoring our work in their worldview and needs, we cultivated a sense of relevance and trust, ultimately earning us permission to offer our products as a natural extension of their identity.
03. Marketing Strategy